Fox Chase
Frank Vincent DuMond
- The Museum will be closed Sunday, April 9 in observance of Easter.
Located in the center of the pack of artists in The Fox Chase Frank Vincent DuMond is looking steadfastly forward, focused on the task at hand (i.e. catching the fox).
Renown for both his art as well as his career as a gifted art instructor, DuMond was often at the center of things.
Frank Vincent DuMond
Born August 20, 1865, Rochester, New York
Died February 6, 1951, New York City
In Lyme, 1902-1941
He studied at the Art Students League in New York in the 1880s, after which he became an illustrator for New York publications such as New York Daily Graphic, Century, and Harper’s Weekly. After additional study in Paris at the Académie Julian, DuMond accepted a teaching position at the Art Students League. A dedicated teacher, DuMond continued to commute to New York even after moving to Lyme, often catching the nighttime ferry from New London to get into the city in time for his classes.
Artists on the front porch of the Griswold House, c. 1903
Frank DuMond at far left
In the 1890s DuMond began teaching summer art classes, first in France, and later in New England and New York. During these summer sessions, the students would experience rigorous training and be expected to paint outdoors from sunrise to sunset (and painting both!) with drawing classes in between.
In 1902, DuMond directed the Lyme Summer School of Art, one of the finest in the country at the time. Two years later, the attendance was between forty and fifty students. In this same year one writer Anthony Euwer noted: “One of the distinctive features of Lyme is the art students. Nowhere on its hills and dales can one be sure of finding secret sanctuary. With umbrella and easel they seem to grow on meadow or hill, in the wooded paths or rocky slopes.”
Frank Vincent DuMond (1865-1951)
Grassy Hill, 1933
Oil on Canvas
Gift of Mrs. Elisabeth DuMond Perry
By 1906, the popularity of the art classes seemed to threaten the idyllic qualities that the Old Lyme artists found inviting, and the school was encouraged to move its summer sessions elsewhere.
It moved to Woodstock, New York. During this same year, the DuMonds purchased an old Colonial farmhouse on Grassy Hill Road in Lyme with views of Long Island Sound a mere five miles away. This life in the country was both satisfying and productive for DuMond.
After settling near the top of Grassy Hill, DuMond began to change his artistic style from an earlier darker tonalist technique associated with Ranger and his circle, to a lighter and brighter approach. His somewhat modified blend of Impressionism was most likely influenced by the sunlit landscapes near his country home, literally across the road, as is the case in his painting Top of the Hill, Lyme (1906).
Frank Vincent DuMond (1865-1951)
Top of the Hill, c. 1906
Oil on academy board
When not in Lyme, the DuMonds lived in the middle of the New York art world at the artist cooperative building on W. 67th Street in New York. However, DuMond told a New York reporter in 1907 about his fondness for Grassy Hill: “Every year I grow more deeply attached to my summer place and less inclined to leave it. All of us who are associated with the Lyme colony I think have the same feeling, and our summer term has every season a more and more elastic term.” Despite the school’s new location, DuMond continued to give private art lessons in Lyme, probably as late as 1915, and counted Ellen Axson Wilson (President Woodrow Wilson’s first wife) among his Old Lyme students.
